this is a quick study I did of a sculpture. A few things I will say. It's easy to lose sight and turn a dude into a chick...into a dude. Haha. I'm also working on economy of brushstroke...so larger forms that read more. And I started this because I was thinking about what makes the difference (when one is painting) between a "person" or character that is living and breathing, and a sculpture. I saw a lovely photo of a guy behind a sculpture touching it. How does one paint something made to look real but that has no life in it, and one that does?
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